1. Partner Pitch Pitch your concept to your partner. Like we did before, a classic pitch is usually a summary of the story idea in twenty five words or less that conveys the exposition (who, where, and when), the inciting incident
Day 45-46, 11/8-12
1. Process Overview Here is my suggested post-production workflow. The sequence of certain tasks is interchangable, like whether you edit audio or color first. 1. Sound Editing Tips (Advanced) Problem: The sound is only playing in one of my headphones!
Day 28-29, 10/15-16
1. Find Composite Layers Start collecting your “plate shot” or other assets! Get a photo or video of the background you had in mind (i.e. a spooky forest), any foreground elements (i.e. a bush in front of you), and/or pre-made
Day 27, 10/11
1. Final Cut of “Shoot the Shots” Finish your rough cut of the “Shoot The Shots” project and begin correcting colours and adding audio (ambience, SFX, and music), your production logo, credits, and titles. This is the last dedicated studio
Day 22-26, 10/7-10
1. Editing “Shoot the Shots” You will have almost the entire week to work on “Shoot the Shots!” Please use all of the available time to make it the best possible film it can be. Make sure to keep your