1. Final Cut of “Shoot the Shots”

Finish your rough cut of the “Shoot The Shots” project and begin correcting colours and adding audio (ambience, SFX, and music), your production logo, credits, and titles. This is the last dedicated studio time we will have to work on this, although you’ll have up to a ~45 minutes to work on it over the next couple of days depending on how quickly you get through our green screen exercise. “Shoot The Shots” will not be due until early next week. We will be filming and editing the special effects shots on Thursday and Monday and introducing our storytelling unit next week, but you won’t have much studio time remaining to work on this project.

2. Colour Correction 101

Problem: My video is too warm (yellow-orange) or cool (blue).

Solution: The white balance was incorrectly set on the camera when shooting. Go to the “Color” workspace (on the very top panel) then go to the “Color Correction” section in the top-right corner. Adjust the topmost slider left to “warm” the clip or right to “cool” the clip down. There are other sliders to play with below that will manipulate the exposure, contrast, and saturation. You can get an excellent result this way, but it still isn’t as good as having the White Balance properly configured when filming.

3. What the Green Screen?!

Pretty much all special effects in film are created through compositing multiple images or videos together to create an optical illusion. We will look at some famous examples of how this has been done in mainstream film over the years. If you are interested in learning more about how it works, you can watch a series of videos that show the history of greenscreening and some useful tips. Afterwards, we will look at some past examples.

4. Keying (Luma and Colour) Demo

We will shoot review demo footage of the class and and look at the various ways to key out portions of video. For a more detailed guide, check out this step-by-step walkthrough on how to get the best possible result!

5. Green Screen Exercise

I have produced a quick and simple demo deconstructing how this process is typically done. Try to come up with a clever idea for an 8+ second idea to show-off both your planning/execution skills in shooting, as well as your compositing abilities in Premiere! You can capture your footage as a pair/group, but each member of the group is responsible for editing together their own “version” of the project. The more creative and complex, the better your mark. This is a quick, two day exercise, so you must plan and shoot on the first day so you can quickly get to editing.

6. Discuss and Pitch!

Tell a neighbour what you are planning to do to see if they have feedback. Could it be too hard? Inappropriate for school? If you feel good about it, confirm your idea with Mr. Gilbar or our peer tutor. Come up with a plan as far as how you’ll need to stage the shot on Monday/Tuesday. Remember, do not wear any green!

Day 27, 10/11