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Film 11

Day 22-33, 10/21-22

1. What Makes a Good “Feedback Sandwich?” Just like a real sandwich, this can be done well or incredibly poorly. A bad sandwich has… insignificant top bread that is discounted by a ‘but’ meat that is negatively phrased, personal, and not constructive bottom

David Gilbar October 21, 2024October 22, 2024 Film 11 Read more

Day 30-31, 10/17-18

1. Storytelling 101 We are going to do a crash course on story structure by looking at a handful of Pixar short films. exposition: establishes the location and characters before the story begins inciting incident: the conflict that deviates from

David Gilbar October 17, 2024October 18, 2024 Film 11 Read more

Day 28-29, 10/15-16

1. Find Composite Layers Start collecting your “plate shot” or other assets! Get a photo or video of the background you had in mind (i.e. a spooky forest), any foreground elements (i.e. a bush in front of you), and/or pre-made

dgilbar@sd43.bc.ca October 15, 2024October 11, 2024 Film 11 Read more

Day 27, 10/11

1. Final Cut of “Shoot the Shots” Finish your rough cut of the “Shoot The Shots” project and begin correcting colours and adding audio (ambience, SFX, and music), your production logo, credits, and titles. This is the last dedicated studio

dgilbar@sd43.bc.ca October 11, 2024October 11, 2024 Film 11 Read more

Day 22-26, 10/7-10

1. Editing “Shoot the Shots” You will have almost the entire week to work on “Shoot the Shots!” Please use all of the available time to make it the best possible film it can be. Make sure to keep your

dgilbar@sd43.bc.ca October 7, 2024October 7, 2024 Film 11 Read more
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